Author of "Embracing Auschwitz" and "Mensch•Marks: Life Lessons of a Human Rabbi - Wisdom for Untethered Times." Winner of the Rockower Award, the highest honor in Jewish journalism and 2019 Religion News Association Award for Excellence in Commentary. Musings of a rabbi, journalist, father, husband, poodle-owner, Red Sox fan and self-proclaimed mensch, taken from essays, columns, sermons and thin air. Writes regularly in the New York Jewish Week and Times of Israel.
Wednesday, February 5, 2014
Welcome to Stamford, Limmud NY! (Jewish Week)
Thursday, February 21, 2013
Diverse city: Stamford demographics are reason to celebrate (Stamford Advocate Op-ed)
Read more: http://www.stamfordadvocate.com/opinion/article/Op-Ed-Diverse-city-Stamford-demographics-are-4297981.php#ixzz2LZoF5UK7
Wednesday, August 10, 2011
Only In Jewish Stamford!
SIXTY FIVE members of our community - representing Chabad of Stamford, Congregation Agudath Sholom, Temple Beth El, Temple Sinai, Young Israel of Stamford - and the UJF and BJE studied a seminal Tisha B'av text together at the inaugural "Texts that Tie us Together" program, co sponsored Young Israel's Kollel. It was a pleasure for me to participate with a number of our congregants. As an added bonus, as you can see below, I had the pleasure of meeting the new rabbi from Temple Sinai, Rabbi John Franken, for the first time.
Only in Jewish Stamford could the Conservative rabbi meet the Reform rabbi for the first time at Chabad on Tisha B'Av!
Friday, March 19, 2010
The Connecticut Difference
Friday, November 13, 2009
Stamford and Anatevka: Our Little Village
You want to hear about tension? I witnessed a full fledged riot yesterday afternoon, as hundreds of Stamford school students fled for their lives, not from mere gang members, but bloodthirsty Cossacks bent on killing, evicting and generally destroying a centuries-old way of life.
Of course, what I saw wasn't really happening. It was a rehearsal for the all-school performance of "Fiddler on the Roof," which will be presented at the Rippowam Middle School next month. Students from every school in the city are in the cast (full disclosure: including my son Dan), both public and private schools are represented, including parochial and day schools, a hundred of them on a single stage, kids from all religious and ethnic backgrounds and all ages. This production is, in a word: fantastic. It also demonstrates what is absolutely fantastic about Stamford and why those frightful families would be horribly mistaken to flee.
More full disclosure: both my kids have attended Westhill and thrived there, socially and academically. They have been able to go as far as they wished to push themselves (with a little parental nudge from time to time) and most of their teachers have challenged them to do just that. They and their friends are getting into the very best colleges; but more importantly, they are being prepared for life, real life, in an atmosphere that is far more nurturing than it is tense.
When I picked Dan up at school yesterday and asked him about the police presence, he had no idea that there had even been an incident.
The school is not without its faults - the entire school system has faults. Incidents involving violence cannot be taken lightly. But leave here? Leave a town that has farmland, city and sea, with bustling restaurants, fascinating neighborhoods, balloon parades and Jerry Springer?
But I digress. Because I want to tell you more about Anatevka.
I went to the "Fiddler" rehearsal yesterday at the invitation of the organizers, as the cast's official rabbinic advisor. It turns out that the kids wanted to know something about the little world they were inhabiting on stage and the tragi-comic characters they were portraying. I came in expecting a few simple questions about what "mazal tov" means or why we light candles on the Sabbath. I was overwhelmed at the sophistication and depth of their questions.
I began with a brief overview of the tumultuous period when the play takes place, those decades just before and after the turn of the 20th century, when Jews living in the Eastern European Pale of Settlement under Czarist rule. I explained that this was a time of jarring change, of modernization confronting traditional societies, that most Jews were confined to shtetls, living among themselves. The cultural mix was extremely rich and diverse in the shtetl, with religious Jews mingling with socialists (hello, Perchik!), secularists and Zionists. But most, like Tevye, simply struggled to get by on their wits and their wisdom.
Things got turned upside down in 1881, when Czar Alexander II was assassinated. The Jews were blamed. We discussed what the word "scapegoat" means and why the Russian government found the Jews to be a convenient victim around which they could bolster their flagging popularity. This led to anti Jewish rioting known as pogroms, featuring murder, maiming and eviction, leading to a mass immigration of 2 million Jews to America by 1920.
I pointed out to the kids the great historical irony that, had these 2 million not come to America in the early 20th century, they and their children would likely have been killed in the Holocaust that followed a few decades later. Some would call it the miracle of Jewish survival. Since all of my grandparents were among those huddled masses, I'm not one to dispute that point.
May God bless and thank the Czar... for kicking out 2 million Jews!
But "Fiddler" would not be so universally adored were it only about the Jewish experience. I sensed from this very diverse group of students a desire to wrap their arms around these characters and make them their own. So they had lots of questions. It got to the point where the director said "last question" about a dozen times, and even then, kids came up to me after they were dismissed. Bear in mind that I was the only thing standing between a long day of school and rehearsals, and their dinner. When finally it was time to leave, we agreed that I'd respond to any other queries via e-mail.
They asked relatively simple questions, like why people kiss the mezuzah on the doorpost or spit three times to ward off the evil eye. And then there were tough ones. Why did the family sit shiva for the daughter who married a non Jew? I explained, as sensitively as possible, the emotions that were behind such an action, and how Jews have always seen immortality less in terms of their own souls' ascent to heaven as in their children and subsequent generations carrying on the faith.
Whew!
Then another toughie: Why weren't girls and boys allowed to dance together in the wedding scene? Keep in mind that these questions were being asked, in large part, by cast members who are not Jewish. In the play itself, Tevye expects the audience to have only simple questions about matters like "why we keep our heads covered and why we wear these little prayer shawls." Evidently, the students of Stamford schools are far more curious and more sophisticated than the typical Broadway crowd of the mid 1960s.
And less afraid to ask.
I paused for a moment and decided not to get into a detailed discussion of the subject of sexual contact (for more details, see my recent posting Ask the rabbi: Does my hand have a disease?") Definitely not the right place for that. So I just talked about how traditional people of all faiths are concerned about modesty; for Jews, that meant very little contact between boys and girls until marriage.
They asked whether Yenta the matchmaker still exists. Yes, I said, only now she's got a new name: J-date (which of course they had no idea about, so I added, "or E-Harmony"). Someone asked whether rabbis are revered as much now as they were then. I smirked knowingly at a few Jewish parents in attendance, said something like "If only!" and spoke of how the prime role is - and was - to be a teacher and as such to be respected because of the teachings we represent.
Then it occurred to me. These kids come from as many backgrounds as there probably were on the boat that brought my grandparents over, from Minsk and Smorgon and wherever (you can find your own ancestors at http://www.ellisisland.org/search/search_new.asp ). What an experience, for them to be in this show together. How amazing, for Tevye to be bemoaning intermarriage when one of his five daughters is African American, another is Asian - and he's Catholic! How incredible, that despite these confusing mixed messages, somehow this production of "Fiddler" makes perfect sense, to them, to a Jew with a traditional background like me, and maybe it would have even to Shalom Aleichem himself, a man who embraced life's messy absurdities, saying, "No matter how bad things get you got to go on living, even if it kills you."
One of the youngest cast members is the fiddler (he fits the requirements to play from that roof: small, agile and talented). He asked me about the symbolism of the fiddle. I mentioned that Jews have long gravitated to that instrument, including several of the world's most famous violinists. Maybe because it's music comes closest to a human cry. The emphasis there is on both words: "human" and "cry." Balancing that song of life in a world so shaky is no easy trick. Which is why we love these characters so much.
The original Tevye of the Shalom Aleichem books suffered much more than his watered down Broadway version. A daughter actually converts out of the faith and another child commits suicide. Novelist Dara Horn noted how her students came to see this literary Tevye as "a model for the Jewish people—because of his talent for “rolling with the punches,” because of his reservoir of inner strength, and because of his unique ability, woven from modern irony and sacred text, to forge meaning out of the absurdity that is so often the Jewish condition. In navigating a new world where being Jewish or even American can mean being a living target, Tevye, whose world was no less absurd, became their guide. Quoting the Mishnah, a Rabbinic text, Tevye often said, “You live regardless of your own will.” Tevye’s “translation”? “A person’s life is never pointless.”"
The Jewish condition is in fact the human condition. But in order to understand that, you need to live in a place where you are exposed to the widest possible variations of the human. You need to breathe the air of difference. That rarely can happen in a gated community, or in some of the towns nearby where homogenity is the rule. You can't put on a play like "Fiddler" in Stepford. You can only do it in a place like Stamford.
But in our little village of Anatevka, everyone of us is a fiddler on the roof, trying to scratch out a simple, pleasant tune without breaking his neck. It isn't easy. Why do we stay up there if it's so dangerous? I'll tell you, I don't know, but it's a tradition!"
Are we talking about a roof in Anatevka - or the cafeteria at Westhill?
Only in a place like Stamford can this play resonate so full-throatedly, despite all the seeming contradictions and inconsistencies. I cannot imagine having brought up my kids anywhere else.
A Catholic Tevye kissing a mezuzah? Sounds crazy, no?
Thursday, April 30, 2009
Three Initiatives and 10,000 Doors
This philosophy has guided Jews through many turbulent times. The Talmud records one rabbi laughing jovially while walking on the embers of the destroyed Second Temple because, within the destruction, he could envision the seeds of a future restoration. Jewish history is replete with examples of how, in the words of Psalm 118, the stone cast aside by the builders later becomes the cornerstone of something bigger and better.
So it is that during these very trying times, our leadership has not stood still. Acting wisely, deliberately and with fiscal conscientiousness, the Board of Trustees has initiated three projects that will have a long-term positive impact on Beth El and the entire community. Any of these three would alone merit headlines, but taken together, they represent a visionary outlook that will set us up well to take advantage of the many challenges that will remain long after the recession has receded.
The three initiatives are:
1) The renovation of our social hall
2) The creation of a new senior position of Programming Director (and we’ve hired a superb candidate to fill that position in Ariela Pelaia).
3) The decision to open a nursery school in the fall of 2010.
All three initiatives were studied carefully at the committee level and were approved overwhelmingly by the board. There are many people who deserve our gratitude for their hard work and due diligence in enabling these dreams to become reality; a special thank you to Gary Gladstein and Judi Schnelwar Gladstein z’l, who have been the driving force behind the social hall project.
I’ll leave it to others to go into greater detail about the three projects; in this space I’d simply like to share some reflections on what, cumulatively, these initiatives will help us accomplish:
1) We’ll be able to be a full-service synagogue as never before, touching the lives of our congregants “from womb to tomb” with quality programs. The portfolio of our Programming Director will include singles, young couples, teens and interfaith families, helping us to build on the successes we’ve had this year in attracting these groups to programs like the acclaimed “Kosher Sex” series, Shabbat @ Home and, beginning this May, our much anticipated Shabbat potluck dinners. We’ll also be able to build on the fantastic outreach programs we’ve provided for those seeking employment, and the major successes we’ve had at drawing empty nesters and retirees to lectures and Synaplex events. Never before has our synagogue been so relevant to so many in need.
2) Young families will have a greater opportunity to affiliate affordably with a synagogue while enrolling their children in a Jewish nursery school of the highest quality. National surveys show that only half of Jewish families send their kids to a Jewish preschool. There are excellent ones already in our community, but these statistics and anecdotal evidence tell us that there are large numbers of Jewish families out there to draw in, many of whom will be attracted to the particular blend of tradition, openness and inclusiveness that Conservative Judaism offers. There are many Jews moving from other places where nursery schools and synagogues are synonymous, who want their children to have the experience of seeing the rabbi and cantor visit their child's classroom regularly and take them into a sanctuary, where they can be amazed at the glittering Torahs and majestic ark. We'll be the first synagogue in Stamford to provide them with that opportunity. And I can't wait!
3) With the best facility for Kosher celebrations in this area (and one of the few of this size in the entire tri-state region), combined with our priceless sanctuary and the marketing expertise of Steve Lander, the new social hall will generate the outside income necessary to sustain our growth without adding costs.
4) These initiatives will solidify our reputation for cutting-edge innovation, making Judaism come alive on every level. Ironically, in welcoming Craig Taubman back this month for the Cantor’s Concert (I hope to see everyone there!), we are celebrating that very fact. For it was Taubman’s last visit, his first-ever NY area “Friday Night Live” in January 2000, that changed us forever. On that night we experienced the chance to “Sing unto Adonai a New Song,” and we encountered ancient prayers as if for the first time. Taubman’s visit made us a more vibrant congregation (see the seminal article I wrote immediately following his visit). That’s good for Stamford, for the Conservative movement, Israel and ultimately for everyone. The world needs a vibrant Jewish people.
5) The ripple effect of these initiatives will buoy membership, Hebrew School enrollment and fundraising; but this is less about numbers than it is about mission, less about the sustainability of a single institution than long-term viability of the Jewish people. It’s as simple as this: the more we thrive, the more Jews will move here. The more we reach out to untapped sources of the unaffiliated, as only we can, the stronger our little corner of the Jewish universe will be. The more we demonstrate to the world the warmth of our pluralistic vision, the purity of our ethical values, the authenticity of our strivings, the better our entire community will be. For ours to be truly a model Jewish community, we need an excellent JCC, and superb federation and JFS, scintillating schooling alternatives - and the best possible Orthodox, Reform and Conservative congregations. We’ve come a long way toward that goal in recent years. Just look around you! Now we need to do our part, to make TBE as great as it can possibly be.
I’m pleased that we have partnered with so many local Jewish organizations this year on so many vital causes; we are committed to continuing to do so. I look forward to building on our partnering successes as we move ahead in this rapidly changing landscape, forging together a Jewish community with multiple gateways of entry, replete with a warmth derived from a sense of interdependence and common vision.
You might have seen a magnificent new marketing campaign by the United Methodist Church called "10,000 Doors" "What if a church wasn't a building," the campaign asks, "but thousands of doors?" The same can be said for a synagogue, and for a Jewish community. The more gateways, the better. The more people saying "Welcome! Please come in!" the better. For too long, synagogues have been waiting for families to find their way in. Now we are committing ourselves to seeking out those families, some of whom may be seeking us without even knowing it.
Our new programming director, renovated social hall and the Temple Beth El Nursery School will go far to making that vision of 10,000 doors come to fruition, not just for Temple Beth El, but for our entire community.
I'm so proud of our leadership and our membership for having the strength of spirit and unified vision that have been forged by President Gary Lessen.
Yes, In the middle of difficulty lies opportunity.
Thursday, March 19, 2009
What They Say About Stamford...
That's all well and good. But lately, not all the publicity has been so positive. We are the town, after all, where chimps mutilate humans and high school students tragically shoot their friends (and our hearts do go out to the family and friends of Daniel Villeda). We are the home of professional wrestling and the new home of - did I hear this correctly - Jerry Springer. We've got busloads of Catholics protesting in Hartford even when a proposal offensive to them had been withdrawn. And now, in Fairfield county communities, the village mobs are besieging the mansions of AIG executives who received bonuses. And as Conservative Jews, we have to be concerned about the anger brewing because of the current leadership crisis in Conservative Movement as well.
We're becoming the capital of anger, and there's a lot of it out there right now. At least we are doing our best to keep a lid on emotions here in or little corner of Stamford's Upper West Side. We've been addressing the current economic crisis in a most supportive and caring manner. There is a sense of common purpose that pervades all that goes on here, from classes to meetings to services. We need to continue to be the calm within the Stamford Storm.
This week's portion speaks of the prohibited labors of Shabbat- all of them, by rabbinic extension, but one in particular most directly. In Exodus 35:3 it states:
This verse is more than just a reminder not to cook or turn the lights on. It is interpreted to include the fire of anger. As Humash Etz Hayyim puts it, "Arguments and angry shouts are as much a disruption of Shabbat as working and spending of money."
Join us for Shabbat Across America and Shabbat Unplugged tonight - and for services tomorrow - and let's GET HAPPY.

