As my final months as Senior Rabbi at TBE approach, I'm sharing insights on key moments of our time together here. I've mentioned this one often, but it can't be ignored. It had great historical significance, not just there but throughout the Jewish world.
In the winter of 2000, two things of note occurred: the Pope visited Israel and Craig Taubman came to TBE. The Pope's changed the way Jews and Catholics talk to one another and Taubman's "Friday Night Live" changed the way we talk - or sing - to God. My reactions at the time were strongly stated and somewhat controversial in the cantorial world (see the article here), but I felt that Taubman's style of service was the new wave that would soon become normative in the Jewish world. I'm not right about everything (for sure!) but I was right about that. And as a bonus, this service was one of the contributing factors to our hiring of Deborah Jacobson to be our cantor a couple of years later (long story).
The sanctuary was packed with over 400 people on that cold January night, filled with seekers of all ages, although we advertised it as primarily a service for young professionals, modeled after the service Taubman developed with Rabbi David Wolpe in L.A. This was F.N.L.s New York area premiere and we just couldn't keep people away. There was such a hunger, everywhere in the Jewish world, for a "new song," and Taubman, like Debbie Friedman before him, was answering the call. Now, 24 years later, creative Jewish liturgical music is ubiquitous, but people back then were fearful of bucking tradition, even though traditional music had been, in its own day, radical. Did you know that the old standard melody for Adon Olam was originally a German beer song?
I want to share with you two documents. The first is the letter Rabbi Sharon Sobel, my good friend and colleague at Temple Sinai, sent with me to the community, introducing this new concept. And below that, shared for the first time, my d'var Torah and notes that I used to introduce some of the featured prayers. |
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